ALEXA MINI ANAMORPHIC WITH ARRIRAW

 £500.00 | Book for 7 days for the price of 3

  • Unparalled image quality thanks to its 35mm CMOS sensor
  • 4K UHD ProRes images
  • Uncompressed ARRIRAW up to 30fps
  • Super-lightweight carbon body
  • Frane rates up to 200fps
  • 4:3 anamorphic mode
  • Suitable for S-35 and Full Frame acquisition and is described by Sony as ‘Aspect Ratio Agnostic’, which means that by using and masking the extremely large image sensor (36x24mm).
  • It can be used to capture every Aspect Ratio, including S35 spherical and S35 4:3 anamorphic, FF spherical, S35 4:3 anamorphic and also 3:2 anamorphic in UHD 4K and HD picture formats.
Day based pricing : ALEXA MINI ANAMORPHIC WITH ARRIRAW
£500.00 / days
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Description

ALEXA Mini

More than just a camera

 

Compact, lightweight, and self-contained – ARRI ALEXA Mini is the small and versatile allrounder in the ARRI camera family.

The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, ALEXA Mini comes with a series of interchangeable lens mount, allowing the use of B4 video, EF mount stills lenses, or with the even ARRI Signature Primes with the LPL mount for ALEXA Mini.

Features

Lightweight body with sturdy design

Stable in harsh environments from -20° to +45°C / -4° to +113°F

Sealed electronics

Non-condensing splash and dust-proof

Built-in motorized FSND filters 0.6, 1.2, 2.1

 

 

Breathtaking image quality

35 mm format film-style digital camera

Natural skin tones

Recording up to 200fps

High Dynamic Range with 14+ stops of exposure latitude

Optional ARRIRAW and 4:3 licenses

More than just a camera

Accompanied by a wide range of mechanical and electronic accessories for every use case

Wireless connectivities via built-in white coded radio and WiFi interfaces

Easy, rapid, and tool-less transitions between configurations

Every setup can be adapted individually

Huge variety of lens options

Rapidly interchangeable lens mounts

PL or LPL-Mount for cine-style lenses, including those compatible with the ARRI Lens Data System

B4 lens mount permits the use of 2/3” video-style B4 lenses

EF lens mount provides compatibility with a wide range of stills photography lenses

EXT SYNC mode

For 360° VR, 3D, and VFX applications

Synchronizing up to 15 ALEXA Minis with one master ALEXA Mini

Permitting the entire multicamera setup to be operated as if it was one camera

ARRI Look Library support

87 predefined creative color gradings, each in three intensities

Makes on-set look management available to productions of all budgets

Helps to save time on set

Additionally, all looks can be used as a basic to create new color gradings

Available in the ARRI License Shop

Find more information here

Lightweight body with sturdy design

Stable in harsh environments from -20° to +45°C / -4° to +113°F

Sealed electronics

Non-condensing splash and dust-proof

Built-in motorized FSND filters 0.6, 1.2, 2.1

 

 

Additional information

Full Specifications

Import of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation)
Camera type 35 mm format film-style digital camera with lightweight and compact carbon body, switchable active sensor area, support for ARRI MVF-1 viewfinder, built-in remote control capabilities via ARRI Electronic Control System and Wi-Fi, support for cforce motors, built-in motorized ND filters, interchangeable lens mounts and ARRI Lens Data System as well as Lens Data Archive.
Dimensions Length: 185 mm/7.3"
Width: 125 mm/4.9"
Height: 140 mm/5.5"
(camera body with PL lens mount)
Click here for dimensional drawings
Weight ~ 2.3 kg/5 lbs (camera body with titanium PL lens mount)
Sensor 35 mm format ARRI ALEV III CMOS with Bayer pattern color filter array
Active photo sites (with surround view) S16 HD: 1600 x 900 (1760 x 980)
HD: 2880 x 1620 (3168 x 1772)
2K: 2868 x 1612 (3154 x 1764)
3.2K: 3200 x 1800 (3424 x 1926)
4K UHD: 3200 x 1800 (3424 x 1926)
4:3 2.8K: 2880 x 2160 (3168 x 2160)
2.39:1 2K Ana.: 2560 x 2145 (3424 x 2202)
HD Ana.: 1920 x 2160 (3424 x 2202)
Open Gate 3.4K: 3424 x 2202 (3424 x 2202)
Shutter Electronic shutter, 5.0° to 356.0°
Exposure latitude 14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
Exposure index EI 800 base sensitivity
Filters Built-in motorized ND filters 0.6, 1.2, 2.1
Lens mounts Titanium PL mount with L-Bus connector and LDS
EF mount
PL mount with Hirose connector and LDS
B4 mount with Hirose connector(A)
Recording media CFast 2.0 memory cards
Recording formats ProRes:
S16 HD: 1920 x 1080 (up-sampled from 1600 x 900)
HD: 1920 x 1080
2K Cine 16:9: 2048 x 1152
3.2K: 3200 x 1800
4K UHD: 3840 x 2160 (up-sampled from 3.2K)
4:3 2.8K: 2880 x 2160 (padded to 2944 x 2160)

Anamorphic ProRes formats with 2x in-camera de-squeeze:
HD Anamorphic: 1920 x 1080*
2.39:1 2K Anamorphic: 2048 x 858*

MXF/ARRIRAW (in-camera recording to MXF-wrapped ARRIRAW files):
2.8K 16:9: 2880 x 1620**
Open Gate: 3424 x 2202***

MXF/ARRIRAW Open Gate modes with active image area matching 4:3 ProRes modes:
4:3 2.8K (OG 3.4K): 2880 x 2160 (Recording in Open Gate 3.4K)***
2.39:1 Ana. (OG 3.4K): 2560 x 2145 (Recording in Open Gate 3.4K)***
16:9 HD Ana. (OG 3.4K): 1920 x 2160 (Recording in Open Gate 3.4K)***

Notes: *) requires ALEXA Mini 4:3 License Key,
**) requires ALEXA Mini ARRIRAW License Key,
***) requires both ALEXA Mini 4:3 and ARRIRAW Licenses Keys

Click here for a drawing with details about the recording areas, surround views and framelines
Recording codec ProRes 4444XQ, 4444, 422 (HQ), 422, 422(LT), MXF/ARRIRAW
Recording frame rates 16:9
ProRes HD 0.75 – 200 fps
ProRes S16 HD 0.75 – 200 fps
ProRes 2K 0.75 – 200 fps
ProRes 3.2K 0.75 – 60 fps
ProRes UHD 0.75 – 60 fps
MFX/ARRIRAW 16:9 2.8K 0.75 – 48 fps

4:3
ProRes 4:3 2.8K 0.75 – 50 fps

6:5*
ProRes 2:39:1 2K Ana. 0.75 – 120 fps

8:9**
ProRes HD Ana. 0.75 – 120 fps

Open Gate
MFX/ARRIRAW 3.4K Open Gate 0.75 – 30 fps

Notes: * 4:3 cropped
** Center crop from anamorphic
(1) Minimum frame rate is always 0.75 fps
(2) The „recording resolution“ determines the number of horizontal pixels that will be recorded (the number of vertical pixels is dependent on the recording file type and sensor mode)

Click here for a detailed table of frame rates
Color output Rec 709, custom look or Log C
Look control
Adjustable image parameters Knee, gamma, saturation, black gamma, saturation by hue
Focus and exposure control Peaking, zebra, false color, waveform
White balance Manual and auto white balance
Sound level < 20 dB(A) at standard frame rates
Environmental '-20° C to +45° C (-4° F to +113° F) @ 95% humidity max, non-condensing splash and dust-proof through sealed electronics
Viewfinder Multi Viewfinder MVF-1 (OLED and LCD) with flip-out LCD screen and military-grade connector to camera Camera Control Panel (CCP-1) LCD control panel with option to daisy-chain MVF-1
Control interface Soft buttons and OSD on SDI output, integration of Transvideo Starlite HD5-ARRI touch interface WCU-4 hand-unit with control over operational parameters.
ARRI lens motor control Built-in white coded radio interface for ARRI lens and camera remote control LBUS motor output for daisy-chainable cforce lens control motors Lens Data Archive
Wi-Fi remote control Built-in Wi-Fi interface and web-based remote control from phones, tablets and laptops
Custom control Optional GPIO interface for integration with custom control interfaces
Power input Lemo 8-pin, 10.5-34 V DC
Video outputs 2x HD-SDI out 1.5G and 3G: uncompressed HD video with embedded audio and metadata, 6G SDI in UHD and 3.2K recording modes.
Inputs SDI-Genlock (optional activation through ARRI Service), Timecode (in and output)
Other interfaces USB 2.0 (for user sets, looks etc.)
Ethernet for service and web remote control
EXT accessory interface w. RS pin and unregulated power output (outputs battery voltage)

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